TS 13016

TS 13016 is a professional standard for the theatre sound manager, also referred to as the stage sound supervisor or prompt/operating role in theatre practice. Its focus is the occupational framework for the person who manages stage sound work in public and private theatres.

What theatre sound management involves

In general technical terms, theatre sound management covers the coordination of speech, music, sound effects, and cue timing so the audience receives the intended audio at the right moment and level. In live performance work, this typically involves arranging sound sources, following rehearsal requirements, coordinating with the stage team, and maintaining consistency during the show. The role sits at the intersection of artistic intent and technical execution.

How this standard frames the occupation

According to the supplied scope, the standard covers sound technicians working for state or private theatres. It places the occupation within a structured professional context concerned with classification and the qualifications expected from the job holder, linked to theatre service and working regulations. In practical terms, it helps define the occupational profile of the person responsible for theatre sound rather than prescribing detailed sound-design methods.

Because theatre sound is part of a live production, timing, communication, and cue discipline are especially important. Clear dialogue, synchronized effects, and reliable coordination with stage action are among the core technical concerns associated with this profession.

• Covers sound technicians working in state and private theatres.
• Concerns occupational classification and qualification framing.
• Focuses on the theatre stage sound management function.
• Addresses the live-performance need for timing, balance, and coordination.